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Totally is not the one, for whom the words are the result of some organic
growth. For her they are the readymade. When she composes a sentence she
compares herself to an artist who doesn’t draw an original image: she paste words
on a page like elements of collage. When the work is done, she takes a look at it from
the stretched arm distance with one eye closed. If she likes what she sees, she
nods her head in approval.
She
hates to revisit her writing because it never looks
right again.
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